He creates the persona of a buffoon who mocks himself while entertaining others. But inside he is tortured, and as he moves from childhood to adulthood he becomes addicted to sex and alcohol. Largely autobiographical, No Longer Human explores Dazai’s own sense of failure and alienation which drove him to self-destruct with alcohol and numerous suicide attempts.

Osamu Dazai (1909—1948) is Japan’s second most popular novelist (after Soseki), and his works are seeing a huge surge in popularity among young people worldwide thanks to the success of the recent manga, anime and film series Bungo Stray Dogs, whose protagonist, a detective called Osamu Dazai, has similar character traits to Yozo Oba. Fans of manga and anime are turning to the original No Longer Human novel, whose themes of alienation from society and an inability to reconcile social appearances with inner self—told with great wit, irony and pathos—strike a deep chord among readers today. **Recommended for readers ages 16+ due to mature themes and graphic content**

His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness. Still one of the ten bestselling books in Japan, No Longer Human is an important and unforgettable modern classic: “The struggle of the individual to fit into a normalizing society remains just as relevant today as it was at the time of writing.” (The Japan Times)

In addition to having to move from the city to the countryside, where she has to work in the fields to support her family, she has to deal with a divorce, her mother’s illness, and the return of her drug-addicted brother from the army. An inspiring portrait of one woman’s determination to survive in a society in the grip of a social and moral crisis, this classic work will appeal to those with an interest in modern Japanese literature as well as to those familiar with Osamu Dazai from the popular manga and anime series Bungo Stray Dogs, where he is the lead character.

The gravitational pull of his prose is on full display in these stories. In “Lantern,” a young woman, in love with a well-born but impoverished student, shoplifts a bathing suit for him—and ends up in the local newspaper indicted as a crazed, degenerate communist. In “Chiyojo,” a high-school girl shows early promise as a writer, but as her uncle and mother relentlessly push her to pursue a literary career, she must ask herself: is this what I really want? Or am I supposed to fulfill  their own frustrated ambitions? In “Shame,” a young reader writes a fan letter to a writer she admires, only to find out, upon visiting him, that he’s a bourgeoise sophisticate nothing like the desperate rebels he portrays, and decides (in true Dazai style): “Novelists are human trash.

No, they’re worse than that; they’re demons. . .

They write nothing but lies.”This collection of 14 tales—a half-dozen of which have never before appeared in English—is based on a Japanese collection of, as Dazai described them, “soliloquies by female narrators.” No One Knows includes the quietly brilliant long story “Schoolgirl” and shows the fiction of this 20th-century genius in a fresh light.